He was bursting with creativity, discovering new music all the time, and just writing. It would never have occurred to me where the song’s power had come from because I had been hypnotized by the tone of the piece.”The chords are unusual for Dylan too.
Whatever the answers to those questions, we have here a concise literary text, a desperate love ballad that follows the simple structure of traditional songwriting and transforms it into at least four possible scenarios for the reader—or listener—to contemplate. I know cold irons bound, is slang for prison, but the lyrics go deeper.
Cold Irons Bound Words and music by Bob Dylan Released on Time out of Mind (1997) Tabbed by Sean Bruton ----- Time out of Mind version Capo 6th fret (original key Bb major).
If the Nobel committee was looking to finally honor songwriting, as it has multiple times with playwriting, as a genre worthy of literary attention, then Bob Dylan was perhaps the likeliest candidate.“Cold Irons Bound” is a song that can be listened to again and again, for the bracing electricity of the music, which captures the unsettling menace and torment of the lyrics, and for the multiple ways the words can be interpreted. The guitars shimmer with broad chords that are both beautiful and yet scratch like exposed nerves, the syncopated rhythms of the drums both propel the music and make it seem to lurch back and forth, and the electric bass repeats a doom-laden descending riff that shifts between five and three notes just before each chorus and seems to echo the desperate fate of the raspy-voiced singer. If you can get to a piano and get someone to show you and play you those chords, you’ll hear at once that one tiny change makes a huge impact on what we hear.Or the first of every four, first of every five, or whatever you want. Cold Irons Bound is a Melbourne four-piece influenced by a mix of classic Indie (The Church, R.E.M., The Replacements, Teenage Fanclub) and Americana (Dylan, Young, Petty, The Jayhawks). Maybe my ears are decline (well, yes I know they are) and maybe I am just getting old, but those last three chords I can only express as D flat major, E flat ???? Lanois is known for his particular production style, a spacious, almost ambient sound, while Dylan wanted the production to recreate the straightforward approach of his favorite records of the 1950s, and from the tension of those two conflicting visions comes the distinctive, gritty echoing aura of the songs.He could be trying to justify his despair and regret to the dead woman’s ghost, while he’s bound in chains and 20 miles along the journey to the nearest prison.Both forms begin with a text—lyrics, script—that depends on the collaboration of others to become fully embodied as an artistic experience. He plays groups of three among the four beats in a bar. Or it could be telling us he’s in chains – bound in irons – and so incapable of moving anywhere.
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