But Kevin is just getting started, and his final act will be beyond anything anyone imagined.An outer-space story influenced by Moby-Dick.Keep up with all the biggest announcements and updates with IMDb's breaking news roundup of Comic-Con@Home 2020.Life through the eyes of an addict.An unabashed kid navigates the filthy world of 1973 Glasgow, preoccupying himself with the equally poor youth around him.From the get-go, Arnold was fascinated by the careless, seemingly simple choices people make in their day-to-day lives that lead to unintended, complicated consequences.You must be a registered user to use the IMDb rating plugin.After her beloved husband's suicide, a mourning supermarket worker and her best friend hit the road in Scotland, but find that grief is something that you can't run away from forever.Want to share IMDb's rating on your own site?
The You Were Never Really director talks framing violence and working with Joaquin Phoenix and Jonny Greenwood.Lynne Ramsay’s masterful second feature from 2002 offers a visceral depiction of grief and longing.Ramsay’s first feature-length film follows a young Glaswegian boy named James after the death of his friend Ryan. As we follow his journey, we hear a soundtrack of nationalistic English music, with the only dialogue being snippets of conversation overheard from people on the riverbank. Lynne Ramsay's short film, Swimmer, features a young man swimming in the lakes, rivers and coves of the British Isles.
T rained as a photographer and cinematographer, Lynne Ramsay’s films all have embedded in them a determination to let the images do all the talking. Directed by Lynne Ramsay: Miu Miu – Brigitte (Trailer), The Swimmer (Trailer), You Were Never Really Here (Trailer), We Need To Talk About Kevin (Trailer) A young man encounters many people while swimming in Britain. Lynne Ramsay (born 5 December 1969) is a Scottish film director, writer, producer, and cinematographer best known for the feature films Ratcatcher (1999), Morvern Callar (2002), We Need to Talk About Kevin (2011), and You Were Never Really Here (2017).. Others - higher up on the pretentious scale - would claim that there is a story. Images in Ratcatcher often feel disconnected and dreamlike; James’ guilt and grief forming an almost hallucinatory haze. It’s a disconcerting and disorientating experience, continually shifting between the past and the present, both linked by a visual motif of vivid red throughout the film, almost as if Kevin’s horrific act has reached back in time.Ramsay’s graduation film is a series of vignettes introduced with almost no context, focusing on the stories of children of different ages dealing with family, moments of violence or personal turmoil. Use the HTML below. With scarce dialogue and a subtle central performance, Ramsay lets the camera communicate James’ emotions. Her films are marked by a fascination with children and young people and the recurring themes of grief, guilt, death, and its aftermath. She was previously married to Rory Stewart Kinnear. We believe in Truth & Movies.To celebrate the release of You Were Never Really Here, we’ve put together a handy primer of the director’s short and feature work. Lynne Ramsay, Director: You Were Never Really Here. There’s often an air of magical realism about her work, as strange images puncture sombre tales of people dealing with the aftermath of death, as Ramsay folds poetry and fantasy into even the most meagre of circumstances. It could be seen as a microcosm of Ramsay’s entire filmography, a film that mostly uses image to explore the far reaching consequences of different actions and what familial connection means in different social environments.Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. The final shot is particularly ominous, a sign that the road to recovery can feel like an eternity.Gasman examines the emotional state of a young girl through circumstances that are never spoken or fully explained. Cutting between the character’s past and present, Kill the Day shows us someone struggling to regain their agency following addiction. We know only as much as she does – that there are two other children that are familiar with her dad.
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