These observations are essential to the humor that permeates “Swimming Lessons.” Furthermore, they are indispensable to its psychological realism. Or, and here we begin to rise to Mistry’s bait and psychoanalyze her, maybe she only thinks she is joking. She is visibly nettled, and retreats with a sour face.” As with Bertha, the comic atmosphere takes a turn and we see a psychological reality behind the two-dimensional figure of PW. Though he has failed to learn to swim once again, the narrator may have made some progress in negotiating the deep waters of fashioning his solitary immigrant’s life, “locked in silence and secrecy,” into the writer’s life to which aspires.
” Yet, as said by Jehangir and Nariman, “He was a man searching for happiness, by trying all kinds of different things and he never found it. It is a copy of the manuscript of stories Kersi has written. Swimming Lessons. Soon though, it becomes apparent that the scene is Kersi’s parents’ apartment on the day they receive a letter from him in Toronto. But his parents’ talk about him also comes close to being embarrassing at points; it has the feel of parents discussing their children when they are not around.In looking for the major themes of “Swimming Lessons,” it would be a mistake to take the narrator’s remarks about cause and effect too literally. Rohinton Mistry is the author of a collection of short stories, Tale from Firozsha Baag (1987), and two internationally acclaimed novels. When the typeface becomes italic, the story shifts to Bombay where the narrator’s parents discuss their son, his life in Toronto, and, after it arrives in the mail, the manuscript of stories he has written since he immigrated to Canada. Key Question: Would you ever move to a foreign country, in order to have a fresh start? Usually water and filth are mutually exclusive symbols, but in this story they blend, both in the narrator’s present reality and his memory.
He has died.Bertha is the apartment building superintendent. This is not his idea of a good erotic offer. The effect is often called “metafiction.” The narrator breaks the spell of the narration to draw attention to its “storyness,” to discuss it, to speak directly to the reader, to suggest changes, etc.
This tedious process, which seems unfruitful in the short story, will eventually bring him to true success because of his willingness to explore and to move on. It serves to give an overall sense that life is mysterious and that one cannot figure out why things happen as they do. First seen from a distance, they are objects of desire as Kersi ogles them. A counterpoint between the ongoing cycle of the seasons and the limited linear time of human life is made clear by that death. Emphasized by Savukshaw’s talents, Nariman shows the youngsters if they work hard they will achieve their goals. After this there is a long passage of memory based on incidences of swimming, water, and religious festivals relating to water in the narrator’s life before immigrating to Canada. He ruminates on water imagery and finally gets the nerve to go completely under the water, even though it is only in his bathtub. He describes his excitement as a woman in the group demonstrates floating face up and he watches her pubic hairs wafting in the water around the edges of her suit.
His characters’ unfulfilled longings and failures to communicate would be merely depressing if he didn’t convey their optimism, energy, and ability to endure life’s blows with dignity. It is a noticeable thread in the narrative, but Mistry makes it almost too apparent. While avoiding dramatic scenes, Chekhov gave readers insights into the hearts and minds of his believable and sympathetic, if shabby, characters. She is nosey and wants the narrator to know the extent of her information about all the goings-on in the apartment building. When even this doesn’t happen, Kersi feels like “the weight of this disappointment makes the water less manageable, more lung-penetrating,” and he never returns to class. They would splash around pretending to masturbate as Kersi’s “Mummy” tried to teach him to swim. The theme arises significantly at the end when the narrator’s parents wonder if he writes about Bombay because he is lonely in his new home, or if he had to go to the new locale to find his subject matter back in the old one.When the scene suddenly shifts to India, it is unclear whether Kersi is present in this memory, if he is imagining it, or if it is happening during the same time period when he introduces readers to his neighbors, like the old man and the Portuguese Woman. When she tells Kersi two women were sunbathing in bikinis by the parking lot, he responds by saying “That’s nice.” When she tells him Bertha filled six big black garbage bags with autumn leaves in her frenzy of work that day, he responds with, “Six bags! He is trying to have a life. She is easily insulted when anyone gives her information, since she wants to be the one “in the know.”The second lesson is a great disappointment, since the floating woman has shaved her pubic area and no longer reveals anything erotic to Kersi’s imagination. “Nothing, not to worry about anything. But when he resolves to find out the old man’s name, it is too late.
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